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Marriott's debut moves us from the quotidian to the mysterious found in the everyday and in the world's wilderenesses
the connections which might arise from a song or a video game
Eliot Prize and the Whitbread Poetry Award in 2003
The surreal title of the pamphlet comes from a line in my opening poem
Freewheeling
A Haunting without Allegory by Joshua Jones humour Marriott's debut moves us fromA Haunting Without Allegory consists of a series of transatlantic sequences exploring hope and despair in a time of consolidated state violence and unchecked viral transmission. Embracing the ambivalences that accompany attempts to persist under untenable conditions, the poems deploy a revolving and unresolved constellation of leitmotifs and refracting images that chart, awkwardly and unevenly, themes of escape and constraint. How do we kill for real
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