The style of Scarface is all encompassing - set design from Bruce Weintraub helps deliver De Palma's vision of Miami style I love how directors introduce characters - Elvira makes a dramatic entrance in a slinky backless gown Elvira's style is immediately established with this teal gown - plunging neckline, thigh high slit, and bias cut silk Elvira has a rather annoyed attitude no matter where she is Patricia Norris carefully chose Elvira's jewelry - some of it a nod to the era of the original movie and each piece screams money but none overwhelm her each piece screams money but none overwhelm her Cinema Connections--Rihanna in custom Armani at London Fashion Week 2012 (above) and Rita Ora in Donna Karan at the 2014 Video Music Awards Once again, Elvira is annoyed This all-white skirt suit finds inspiration from Lana Turner in 1946's The influence of which based much of its 2017 collection on the movie Lana Turner in 1946's The Postman Always Rings Twice Scarface is seen on fashion runways like Cushnie et Ochs, which based much of its 2017 collection on the movie Primary colors are such an important part of 1980s style and De Palma delivers in this poolside scene Elvira covers up her plunging green one-piece with this white wrap as she listens to Tony tell her that he wants to be with her Another iconic gown from Scarface - this plunging pink number wows whether coming or going Cinema Connections--Zendaya in Ralph & Russo at a 2017 premiere (above) and a gown from the affordable Lulu's Of course the gangster's moll sleeps in satin sheets - Tony goes to get Elvira the second he takes over the business Money + Marriage = Happily ever after

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A tonal shift from upbeat bonhomie to gloomy sadness takes place in the films third segment when the family anticipate their emotional loss and start to fear the backlash of their rash altruism, and its damning formal retribution
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