Yes, I Am A Destroyer beestjes Via Loy’s preoccupation with the

Via Loy’s preoccupation with the artist’s model

One of the greatest poets of the last half-century

In het licht van de leegte komt hij tot radicale herdefinities van centrale boeddhistische geloofswaarheden over onder meer de Boeddha en nirvana

they indicate significant variants and help explain obscure turns of phrase and allusions (frequently sourced to Beckett's notebooks)

he was right to see in it the promise of what many now regard as the most important body of work by any poet of the twentieth century

Yes, I Am A Destroyer beestjes Via Loy’s preoccupation with theMira Mattar 'I travel far across the city, cut it knowingly, concealing behind me the entrances to tunnels, altering the signage. I traverse the grimiest bowels, skirt the farthest wettest edges like a silverfish active only in the hallucinatory hours, to avoid becoming known, to avoid any collusion between my body and theirs, its.' Under the neon sky of a sick city, which might be London, a nameless governess oscillates between lucidity and